You play the artist, saying,
"Is it how she moves, or how she looks?"
I say, it's loneliness
suspended to our own like grappling hooks,
And as long as she's got noise, she's fine.
--Dar Williams
My first female character on GarouMUSH, Jenny doesn't have perky 36DD breasts with large nipples or an ass you could bounce quarters off of. Most folks would thus class her as a failure in the grand scheme of things.
Jenny returns to town and immediately sets out to have a crush on the first gay man she meets.
The most popular vampire in town comes to visit the burgeoning closet bi-sexual, who promptly turns into a limp dishrag.
The news of Jenny's newfound popularity does not go over well with everybody. What's eating Rina?
In which our heroine comes in out of the rain, thus proving her father in the wrong. And in which our heroine receives a lesson in the fine arts of billiards.
Not a pretty sight. Late at night, somewhere in the dark dirty underbelly of the city, Two Drama Queens Do Battle. You'll never guess who comes out on top.
This one is a short piece, and not much really happens. There's some stuff about her and Arlen, about how insecure she is, how she dislikes the Court, yadda yadda yadda. I debated not posting it, but here it is in all its Inconsequential Glory. Oh, and there are some sexy bits where Rina speaks Italian.
Jenny's second kin meeting is significantly more chaotic and muddled than her first. This log is, be warned, long and hard to follow in places. Jenny finds out that Thomas and Xandra are both kin, gets terrified by a network news-inspired Firsting, and struggles through the Aftermath.
The Knife in Jenny Lou's Handbag. Having a weapon brings power. And responsibility. This is the first time Jenny's ever tried to viciously butcher anybody. I like the contrast between the two girls.
There's a long gap in here where I'm busy with work and Jenny's pregnant with Angelo's baby after Angelo dies so there's single mother angst and Jenny moves in with Rina. Then Rina flies off to New York--a death in the family, and an inheritance--and fails to come home. This is a fragment of Jenny's talk With Spider while she fusses and waits.
Jenny is here more as a metaphor, when Rina's Old Friend Stops By. This is not, caveat lector, a nice scene, and some elements of it might be disturbing to the more sensitive among us.
Jenny quits/loses her job when she flies out to New York to find Rina and bring her home from the lair of a very bad Glass Walker (whose wife is a friend of the family and just as pregnant) and then just like in Titus Angelo Returns. (Temporarily offline)
Late at night is always when the telephone is least your friend. Always when the telephone is, instead, the messenger cloaked in black. Rina will be home late tonight.
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